Tuesday, August 26, 2014

Two Cows - A bitter woman's perspective

( Adapted from Mathias Varga's 'Two Cows')
(Art-Kehinde Awofeso)

Socialism

You have two cows
You give one to your husband

Communism
You have two cows
Your husband takes both cows and kisses you rather fondly

Fascism
You have two cows
Your husband takes both cows and just one mistress  (instead of two, or three, or more...) and one olosho

Nazism
You have two cows
Your husband takes both cows, divorces you and marries a new wife

Bureaucratism
You have two cows
Your husband takes the cows, accidentally shoots one, and dashes the other to his mistress to be well cooked in peppersoup, throws an owambe party, didn't invite you, neither did he attend the party. You both drank garri for breakfast.

Traditional Capitalism
You have two cows
Your husband takes them, sells them, buys a second-hand car, empties your bank account, builds a house and marries two new wives

Nigerian Banks Capitalism
You have two cows
Your husband takes them, collects all your money, sells off your jewelry, collects monthly house rents from you, charges you for sex, sells the cows to your parents at a profit and then tiff the cows.

Surrealism
You have two white elephants.
Your husband's seventh mistress just had their third baby.

The Government
You have two cows.
Your husband takes both cows, joins the organization for husbands with unlimited access to cows, sells the cows at a huge profit, keeps the money in your joint account, steals the money, hides it in a swiss bank and tells the whole world 'my family is not poor' in spite of your children's lack of shoes ... after all you're married to a rich man.

Monday, January 6, 2014

About Feminism, the patriarchy and the pepper seller

I didn’t realize I was a feminist till I hit my late twenties.

Not that I didn’t know the word itself, but I’d never seen anything ‘feminine’ about myself, and I never thought men were trying to oppress me, so why should I want to fight something called the patriarchy?

Up till that point I had no words to describe that frustration I felt whenever I was told I couldn’t do certain things simply because I am a ‘girl’. I couldn’t sit in a certain fashion, talk too loudly, pick my nose in public, scratch that itch eating ay at my legs, wear certain things to certain places simply because it is ‘unladylike’.

My question usually is … who made you the master of ‘lady?’ and what makes you think I want to be a ‘lady’?

In my early teens, I was ‘allowed’ to run wild, by the ‘guardians of our morals’, because it was still okay. I even got an encouraging smile or two, being a flat chested tomboy was soo … cute.

But.

There was no word for a woman in her early twenties, with a propensity for wearing trousers and weird haircuts, who had a string of lovers and more male friends than was permissible … well, except for ‘slut’.

Then I became a single parent, the society I grew up in breathed a collective sigh of relief.

“Maybe her head will settle into one place now that she’s in trouble.”

“Maybe she won’t, look at her lineage, a long line of wild women who live by their own rules, I doubt she ever will.”

But the ‘words of wisdom’ never ceased coming.

The moral guardians of our society were afraid their daughters will somehow sip from my cup and become infected with my psychosis, they watched closely. Theirs are the eyes that saw at midnight, the ones feeding off the blood of innocent ones while I slip out of my home to party hard. They knew I was trouble.

Or maybe I should have started this note from a conversation held with Temitayo Amogunla, (nee Olofinlua) who came visiting with her baby a few months ago. She complained bitterly about the women who practically stampeded her, in a bid to bully her out of strapping her baby to her chest, instead of 'backing' him, the ‘traditional’ way – secured to the back with a wrapper and a smaller scarf called ‘oja’.

A few months later, Jumoke Verissimo experienced the same angry, almost mob-like, reaction from strangers, who felt they had a right to dictate how she should carry her baby, simply because they were … older females.

That was when I told Jumoke something I’d known since the day the word ‘feminism’ crept into my dictionary, that women are the patriarchs.

Yes, the ‘patriarchy’ inherently is a male dominated order, but I put it to you that women are the guardians, the guardians of the rules, the guardians of our morals, the guardians of what to do, what not to do, how to be a lady, why you have to stay married to your abusive husband, why you have to be married at all.

I even dare say women made some, if not all of these rules.

The evidence is there, in the market places, where real, not virtual, affectations are at play. Those women, who plant, reap and sell you the tomatoes, onions and what-nots you use in your meals. The pepper sellers, those whom city dwellers often think of in terms of ‘poor, downtrodden things’. They are not 'poor' or 'downtrodden', they have studied the patriarchal system and they use it.

They use it to bully you into buying their stuff more expensively than you normally would because your skirt is not long enough, your make up is too much, they talk rudely to you when you strap your baby to your chest, because they have the right to shame you on behalf of the men.

Some hair splitters might say women in the north do not go to the market. But who whispers guilt inducing sweet-nothings in the mai-gida’s ears at night? Definitely not his male lovers!

I’ve watched these women operate, on their daughters and other women.

But wait ... it's not only the pepper sellers who go out of their way to make you feel the pain of the patriarchy as you conduct your daily business.

Let's talk about the gadget wielding generation of patriarchs with blood red nails. Go online and check out those horrible pictures of women beaten black and blue, their clothes torn off, with the caption ‘woman caught stealing pepper’ and check out the vituperation, now check the list of names, you’ll notice that more comments will come from the women, the worst comments come from the women.

Our psyche has been assaulted for so long that we’ve become the abusers in our own tales of woe. We perpetuate the abuse, the reign of the dictators.

Our places of religion are filled with women, have you ever wondered why so few of them own private jets?

Who are the people responsible for shaving off the hair of women who have lost their husbands, who are those that force feed them with water taken from the bath of the dead body, who forces them to wail and gnash their teeth and declaim their innocence of the murder of the dead husband?

Who knows the juiciest gossips about the sex life of other women and shares it gleefully?

Who tells you it’s a thing of shame to tell anybody you’ve been raped?

Who teaches their daughters to cook while their sons play out in the sun?

Who tells you that the course you’re about to take is too ‘masculine’ that you should go for a more ‘feminine’ course … like … literature?

Who determines what is ‘masculine’ or ‘feminine’ in the society?

Who birthed these ‘patriarchs’?

What would it take to end rape in Nigeria? A simple case of teaching our sons that there is no difference between men and women, that women deserve to be treated equally, with respect, that every woman, no matter her sex, deserves to be respected.

Where else in the world would a Chief Judge (male) get invited to an all female event (made up of judges) and pronounce that ‘rape is self-inflicted’ and GET AWAY WITH IT!(check out my blog on rape here )

Where else in the world but in Nigeria, where the women have taken up arms for the patriarchy, a country where an elected, sitting, female, Senator goes into the Upper House and pushes a legislature concerning the length of women’s dresses through. Where a child of ten, as long as she is married, is constitutionally recognized as an adult and when people protested about the fact that a child of ten should NOT be married, some women in the House of Assembly (or is it Reps) ‘refrained’ from voting? Where women are arrested for 'prostituting', simply because they do not have a ‘male’ partner with them when they go out during certain hours of the day.

When will we finally admit to ourselves that we appear to be our own patriarchs? We the prisoners are now guarding the prisons, while the guards are having the time of their lives.

I’ve lost count of the number of times I’ve had to kick off women from my Face Book wall or blocked them from my twitter account because of the kind of anti-women stance they take.

Women tell other women they are beautiful, well except for the fact that you’re not wearing these Peruvian weaves, or have your hair ‘done’ naturally, or look this thin, or have your stomach this flat or your skin this light, this dark, your yansh … this big!

When will we finally admit to ourselves that the picture of that hardworking woman, with a baby strapped to her back, a pestle in hand and a determined frown on her face is our Mother Africa, our all consuming patriarch? When will we stop treating one another as present or non-existent sexual appendages, look one another in the eye, and admit that we are all simply … human.


Words … fail … me.

Friday, December 13, 2013

Stolen … Chickens are sweet

“I used to steal chickens,” she blurted as we walked down the beach.

I knew it! I knew she was in her ‘confession’ mode the way she’d gone all intense when she took her first drag.

“Congratulations,” I drawled laconically, “I’m glad you’ve moved on to stealing bigger and better things.”

Don’t get me wrong, I love Tosin. She’s my closest friend, a non-judgmental spirit, whose company soothes me because she knows when to talk and when to shut the hell up.

But, like the rest of us, she has her flaws, and the most irritating one is her compulsion to confess stuff. There’s nothing I detest as much as people confessing stuff to me. I mean, do I look like a reverend father? Kindly keep your confessions to yourself man, I don’t want to know the shit you’ve been up to. I’ve been up to a lot of crap myself, but do you see me going around looking for someone to unburden myself on? Why should I make myself feel better and leave you feeling as if it was your fault I did what I’ve done? What’s the point in that?

“I’m serious here Tobi, when I was at that Polytechnic up North, I used to steal the chickens in my neighbourhood.” She looked at me earnestly, as if telling me this would transfer a million naira into my account or change the pump price of petrol.

“Okay, you used to steal chicken.” I said.

“Don’t you believe me? Don’t I look like a chicken stealer?” She asked as a big wave came whooshing out of the sea and hit the sands beneath our feet with a boom.

I stopped and stared at the breathtaking sight in front of me. The full moon shone down on the sea, which was the colour of black coffee. The water looked darkly inviting, silky, smooth, like Irish Cream sliding down your throat. I knew if I touched the sea, it would be thick between my fingers, sensuous. I can hold it, I can hold water, I want to bunch it up in my fist and allow the smoothness to run through my fingers.

I also knew it was the Mary J in-between my thumb and forefinger thinking.

“I used to be the best chicken stealer in my school in those days. I mean, students from other neighborhoods would invite me over to their place to steal chickens for them. I was that good.” Tosin broke into my thoughts.

I looked down at her in surprise, for a moment there I’d forgotten she was walking beside me. That’s the thing about her. She has that ability to melt into you, making you feel like you’re two parts of a whole. She has this knack for sharing your experiences with you. She's Ogbanje.

"You need to be real quiet when you are about to steal a chicken, " she said as she took two quick puffs and tossed the butt towards the sea, "you need that element of surprise when you grab it's neck, so that it doesn't start squawking.”

The moon made her yellow skin almost white. She had escaped being an albino by the skin of her teeth.

“Are we still on this chicken thing?” I asked.

She nodded.

“You should stop smoking weed girl, it does not agree with you.” I said.

“Listen, I’m serious. I mean I spent a lot of time in heaven knows how many universities and polytechnics across Nigeria, I might not have obtained one single certificate from any of them, but I was really good at stealing chicken.” She said earnestly.

I love her crazy eyes. One moment you’d think she was looking at someone over your shoulders, the next her eyes would tangle with yours.

She has ogbanje eyes.

I smiled.

“Well, thank heavens you acquired one skill. I’m sure your parents are proud.” I continued walking, trying to lessen my long strides to accommodate her shorter ones.

Tosin is delusional about her height. Everybody in the world except her knows that she barely tops 5feet, but she thinks she’s a giant.

Tosin is delusional about a lot of things.

She’s delusional about my feelings for her.

"I love you, but not like that." She would say in that deep voice of hers which is so at odds with her feminine curves.

How do you tell someone you’ve known practically all your life that you are in love with her, her mind, her craziness? How do you tell someone who does not see herself as beautiful that she’s the most gorgeous woman you’ve ever known? That you love her droopy tits, her round stomach and even rounder behind? How do you tell someone who treats you like part of the furniture when she’s taking off her clothes that she’s the most sensuous being you’ve ever known, that every girl you’ve dated paled beside her?

She'd be sleeping beside me and it would take a lot of self control for me not to curl around her.

I allowed my bare feet to sink into the sand, gritty and smooth, both at the same time. The sand and Tosin. Gritty and smooth.

“So there was this day I stole my next door neighbour’s chicken.” She said as I took a final drag and allowed the bit of rizzler in my hand to float to the ground.

“We are still on this chicken issue,”I said flatly.

She ignored my tone and continued urgently, “and then she started looking for it. As she searched for the chicken, I felt really guilty, I mean this woman is poor. She has a drunk for a husband and about six children all under the age of seven. She sells sweets, cigarettes and other little things by the roadside and barely made enough to feed herself, talk less of her family, and I had just eaten the wings of her only chicken. The guilt was so intense.”

I looked at her and smiled.

“So did you confess that you stole her chicken?” I finally asked as another wave hit the sand, pushing foamy water our way.

“I did, but she didn’t believe me.” She said sadly, “when she knocked at my door and asked her if I’d seen her chicken, I told her it was inside my pot, she only laughed and said I should please keep an eye out for it, she planned to serve it to her in-laws when they come visiting the next day. I felt really bad. Why is it that nobody ever takes me seriously?”

“Wouldn’t you feel like something is wrong if someone suddenly starts taking you seriously?” I asked her. She looked at back at me, eyes skewed.

“Let’s head back.” I said as I held out my hand to her.

She placed hers inside it. I looked at her slim, elegant fingers and kissed each one tenderly.

She laughed.

“What do you think you’re doing?” She asked.

“I’m going to take you to my place and kiss every inch of your body.” I answered.

Thursday, November 14, 2013

The Joy of Reading

Tomorrow being the Friday the15th of November, I shall be hosting a program tagged "The Joy of Reading" during the Lagos Books and Arts Fair. From 3.30 till 5:30 a number of young, vibrant writers will  be celebrating the sheer joy of reading with me by reading excerpts of their favorite stories. Its going to be totally brilliant.

Below is a banquet of brilliance that will be set before you:

Tolu Talabi is an alumni of the Farafina Trust Creative Writing Workshop
Has been published in Kalahari Review, 5x5 lit mag and is the fiction columnist for The Guardian's Sunday Magazine.

Adeola Opeyemi is a visual artist, a bibliophile and a writer. Her works have been published online and in print.

Poet and lyricist, Servio Gbadamosi works with young emerging writers across the country by creating multiple platforms to provide more visibility for their works and facilitates knowledge exchange between them and established culture-practitioners.

Pearl Osibu is a Nigerian writer from Cross River State. She is a Fashion designer and a writer/blogger. Her works have appeared on several publications, among which are Jetlife Magazine, Sentinel Nigeria E-zine, CharlesNoviaDaily, and on her blog (fifty shades of Me), which has been described as "fearless, brilliant and lunatic."

Others are Iweka Kingsley, who will be reading from his short story collection, Dappled Things, Kenetchi Uzochukwu, Femi Morgan and a host of others.

Honestly, you don't want to miss out on this.

Sunday, November 10, 2013

LABAF 2013: BOOKS OF 2013

Like I said in my last post, I shall be hosting four authors during the book readings and panel discussion titled "Book of 2013". We will be looking at 2 books of poetry and two prose. Each book is unique in its own right.

Today I'm posting the profiles of two other panelists, Iquo D. Eke and Tade Ipadeola.

Iquo is a Writer, Performance poet and Actress who renders her words to the accompaniment of folklore, typically embellished with instruments such as drums, flute and /or strings.

She was born in January 1980, in Uyo, Nigeria, and was raised in Lagos.
She studied human resource management in the Lagos State University. Over the years Iquo has worked as a journalist, administrator and scriptwriter.

Her maiden collection of poems; Symphony of Becoming was published in 2013 and was long-listed for the 2013 NLNG prize for Literature.

She believes strongly in a continuous struggle for the betterment of her generation and nation, thus her work explores pain, social consciousness, passion, womanhood and the trials of the griots of this age.

Her past performances include amongst others:
 Macmillan Literary Night
 The Lagos Black Heritage Festival
 PLAY Poetry Festival
 Word Slam
 The Lagos Poetry Festival
 Poetry Potter
 Word and Sound

She has two children and lives in Lagos.

Tade Ipadeola, a Nigerian, was born in 1970. He has published three volumes of poetry – A Time of Signs (2000),The Rain Fardel (2005) and The Sahara Testaments (2012). He has also published short stories and essays. In 2009, he won the Delphic Laurel in poetry with his poem ‘Songbird’ in Jeju, South Korea and the NLNG Prize for Literature 2013.

Tade Ipadeola has also translated an important Yoruba novelist, Daniel Fagunwa, from his native Yoruba into English.

Tade Ipadeola is currently serving as the PEN (Nigeria Centre) President.

Tade lives in Ibadan where he practices law.

Venue: Freedom Park, Broad Street, Lagos
Date/Time: Saturday 16th November, 2013 by 4pm

Wednesday, November 6, 2013

Books of 2013 at LABAF

One of the panel discussions I'll be hosting is tagged The Books of 2013, on the panel are Tade Ipadeola, Igoni Barrett, Iquo Diana Eke and Sage Hassan. Below are the profiles of two people on the Panel, Igoni Barrett and Sage Hassan. We shall be discussing Igoni's 'Love is power or something like that' and Sage's 'Dream Maker'

A. Igoni Barrett is a winner of the 2005 BBC World Service short story competition, the recipient of a Chinua Achebe Center Fellowship, an Ebedi Writers Residency, and a Norman Mailer Fellowship, among others. His second book, Love Is Power, or Something Like That, was long-listed for the Frank O’Connor International Short Story Award.

A poet, writer, thinker, teacher and author Sammy Sage Hassan is recognised as Nigeria's premier spoken word poet embracing the genre and bringing it to the attention of the art and music savvy populace in the mid 2000s.


He went ahead to perform hundreds of major non-poetry events like 2 Hip Hop World Award Shows, This Day Music Festival, Arts Alive's Speak The Mind In Jo'burg; he has performed near a hundred brand poems - poetry specifically created for companies and products from UniLever, Coca Cola, MTN, Celtel, NBL, Diageo etc. He has organised workshops and performances for schools and cultural organisations like British Council, Goethe Institut, Lekki British Int'l, Green Springs Int'l and more.


He has recorded and released 2 albums and 3 videos.


As a music executive he has worked with a lot of musicians like MI, Jesse Jagz, Ice Prince, Tosin Martins, Jagunlabi and a rash of upcoming artistes.

Tuesday, November 5, 2013

Lagos Books and Arts Festival

During this year's Lagos Books and Arts Festival I shall be hosting three events, two for adults and one for children.
The first of the events is titled The Joy of Reading, during which we'll be celebrating the sheer joy of reading.
For this year's joy of reading writers like Pearl Osibu, Tolu Talabi, Olubunmi Familoni, Adeola Opeyemi, Servio Gbadamosi, Kenetchi Uzochukwu and Femi Morgan will be in attendance to read portions of their favorite stories. The two hour event will be taking place on Friday the 15th of November, between 3 and 5pm.
The next event is a conversation amongst four of the most celebrated writers that has emerged this year on the Nigerian art scene. Three of them are poets, but one of the poets just wrote a book of prose(this is going to be so much fun!).
The writers are Igoni Barrett, Iquo Diana Eke, Tade Ipadeola and Sage Hassan. During the course of the week I shall be posting brief bios of the writers and short reviews of their books.
The event is titled Books of 2013 and will be held on Saturday the 16th of November between 4pm and 6pm.
The books will be available during the festival, the audience will have an opportunity to have their books signed and also have an interactive session with the writers.
The last event I'll be hosting is a spelling bee for children and it will be taking place on Sunday the 17th of November.
The Lagos Books and Arts Festival is an annual event that has been on for the past 15years and it is ALWAYS a fun time.
All events will be held at Freedom Park, Broad Street, Lagos Island.
You can follow @Labaf1 on twitter.
The hashtag #Diariesofabookfairslut documents my experiences at book fairs and authors.